Luke Dittrich, “Patient H.M. A Story of Memory, Madness and Family Secrets”

 – e-book

 Read from October 2^nd to 24^th 2021

My rating: 

 

 The first part of Luke Dittrich’s study-cum-(auto)biography-cum-history of lobotomy was interesting enough, although I was a little amused, a little put off of by what Steven Rose maliciously called, in his  Patient HM review – a botched lobotomythat changed science, a „rather florid American style”. Unfortunately, the last hundred pages or so seemed to me unjustifiably long and slightly boring.

The big plus, however, is that I’ve learned a lot of interesting things (and even remembered some I had forgotten, like the story of Herophilus and Erasistratus from Alexandria, who, around 300 B.C., were the first to perform human dissection, on dead, but also on some alive).

Art Spiegelman, "Maus. A Survivor’s Tale

 

I : My Father bleeds History, New York 1986 ISBN 0-394-74723-2. – 160 p;

 

 

II And Here My Troubles Began, New York 1991, ISBN 0-679-72977-1 – 136 p.

Read from to September 9^th to 17^th to 24^th 2021

My Rating 

 

I haven’t read many graphic books until now, even though my own daughter is a quite well-known cartoonist. But even a neophyte like me can recognize a masterpiece, and Art Spiegelman’s Maus is definitely one, with its amazing way of developing the distressing theme of the Holocaust using a mixture of tools from different arts.

In fact, this is what fascinated me most, the way narrative conventions, like timeline fractures, narrative voices, styles mixtures (either collages or insertions of panels from other author’s books), transgress not only the boundary between fiction and reality, as it happens in any memoir, but also the boundary between drawing and writing.